Prior
to the Renaissance (during the Middle Ages) artists were less concerned with
the illusion of reality and more concerned with the content and symbolism of
their work. The size of each element in the image related much more to its
importance, rather than it's placement in a space. By the height of the Renaissance,
artists had mastered the mathematics and visual techniques of perspective.
Artists like Leonardo Da Vinci and Brunelleschi were using it to great effect, giving their work a stronger
illusion depth. The simplest form of perspective is one point perspective.
It presumes a single point, which all others move towards, like looking down a
straight road as far as you can see and lines which we know are parallel seem
to converge on a single point known as the vanishing point.
To draw in one point perspective, Art History students drew a vanishing point anywhere on their paper. They then wrote their names or initials in block letters and the lines which are parallel were drawn to intersect at the vanishing point, creating the illusion of depth on their letters.
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